🎬 BREATHING IN — THIS MOVIE HAD ME CONFUSED AND CONVICTED 😂
Whoever directed Breathing In was DEFINITELY a heavy fan of Edgar Allan Poe. 😂 Because this movie wasn’t just telling a story—it was trying to make me uncomfortable, spiritually unsettled, and probably question my life choices. 🤣
I honestly can’t believe I missed this when it first came out. Then again, I saw it was categorized as a Drama and immediately said, “Yeah… I’ll pass.” 🤦🏾♂️😂
BIG MISTAKE.
This movie is slow-paced, drawn-out, creepy, and strange. It takes its sweet time revealing what’s really happening, and at certain points I was sitting there like:
“Okay Lord… am I supposed to understand this, or are we just watching?” 😐🤣
Set during the Anglo-Boer War, it follows a wounded general who takes shelter in an isolated home where nothing—and I mean NOTHING—is quite right. The atmosphere gets darker, the relationships get weirder, and eventually you realize this ain’t your grandma’s Sunday afternoon drama. 😂
And honestly, somewhere underneath all that symbolism and psychological horror, the movie basically felt like it was saying:
“MEN AIN’T 💩.” 😭😂
From a Biblical perspective, it reminded me that when people operate outside God’s wisdom, unchecked desire, pride, manipulation, and sin can take us into some VERY dark places. Proverbs stays trying to warn us, but apparently some folks needed a whole horror movie. 😂📖
Was it good? Yeah.
Was it for everybody? Absolutely not.
Did I understand everything? Let’s just say I received the movie by faith. 😂🙏🏾
7/10 — but baby, that 10 required discernment. 🤣
Watching 'Breathing In' was unlike any typical historical drama I’ve seen before. The film’s pacing is deliberately slow, which at first feels frustrating but later reveals itself as an essential device to build tension and deepen the mood. The isolated house setting during the Anglo-Boer War creates an eerie atmosphere where every detail feels meaningful, even if it’s not immediately clear why. What struck me the most was how the movie used subtle psychological horror—almost like a puzzle rather than straightforward storytelling. Scenes often felt symbolic, with characters’ interactions hinting at deeper themes of pride, sin, and human frailty. The heavy influence of Edgar Allan Poe’s style is evident, making it perfect for viewers who appreciate layered narratives that unsettle and provoke thought. From a personal perspective, I found the spiritual undertones compelling. The film seemed to suggest that without moral grounding, human nature can lead to darkness and self-destruction. This interpretation added a rich dimension to the experience, making the movie feel like more than just historical fiction or horror—it was a meditation on human weaknesses through a biblical lens. For anyone considering watching 'Breathing In,' I’d advise patience and an open mind. It’s not your typical drama or horror; it requires discernment to appreciate its nuances fully. It’s perfect for slow watchers who enjoy connecting dots rather than getting immediate answers. In conclusion, although the film might not be for everyone due to its abstract storytelling and eerie atmosphere, it offers a unique blend of historical context and psychological exploration. It’s a rare film that makes you reflect on your own perspectives about life, faith, and morality long after the credits roll.
